What a day

as-warm-as-choco:

Animation layouts from Hayao Miyazaki’s Spirited Away (千と千尋の神隠し).


breadness:

Buildings by: zefelipe.


posted 2 hours ago with 2,863 notes via meixxbreadness)

"This is cultural bias in effect. General (generally white) audiences never question why characters are white and blond. If a character could be white, that’s usually justification enough. Whiteness as default becomes logical and comfortable. Only non-whiteness requires an explanation.
Indeed, if a character is not white, some people will cry out that their racial identity is the product of political agenda-driven tampering. If a character is white, the same people will comfortably assume that he or she came out of the box like that.
It should be noted that we’re not even talking about the broad US census category of “white”, which covers people whose families hail from Europe, North Africa or the Middle East — including many people with tan, olive or ruddy skin.
In comics, whiteness is predominantly represented by the pale pink complexions of Northern Europeans — the color once problematically referred to as “Flesh” on Crayola crayons, until Crayola changed it to “Peach” in 1962. Real world white comes in many shades, but in comics all white people seem to trend towards hex color #FFCFAB. (Individual colorists may of course bring more nuance to their work, but how many white superheroes can you name who are consistently portrayed with bronze or olive-toned skin?)
Superhero comics don’t actually favor whiteness; they favor a subset of whiteness that borders on Aryan idealism. We ought to regard that as uncomfortably fetishistic, because it’s an aesthetic that the industry has chosen.
All fiction is manufactured. Authors make their worlds and choose what goes in them. It is always possible to contrive a fictional justification for a character looking whichever way the author wants, up to and including finding a way to make a white person the hero in a story about, say, feudal Japan, or ancient Egypt, or Persia during the Islamic Golden Age. A white hero is not the most likely scenario, but it’s always a possible scenario, so in that way it always becomes justified.
The decision to cast Michael B. Jordan as the Human Torch has been called out by message board posters as evidence of an agenda at work — but white heroes in these non-white settings are rarely called out as similar evidence of an agenda. It’s all artifice, it’s all contrived. Fiction exists in service to an author’s design. All fiction serves an agenda, whether it’s articulated or not."  - Andrew Wheeler, Radioactive Blackness And Anglo-Saxon Aliens: Achieving Superhero Diversity Through Race-Changing” (via fyeahlilbit3point0)


shoorm:

edit: Ricardo Montalban, the actor who originally portrayed Khan, is Mexican, yes. The character, however, is Asian (specifically Sikh). I apologize for not making the actor/character difference clear, and I do agree it was my bad for putting Khan in this post, since POC are not interchangeable. I wanted to show how a TV show in the 60’s cast a POC for a POC, while a Hollywood blockbuster made in 2013 cast a white actor for a POC. Apologies for not explaining the Khan issue further.


mariacarlabosscono:

"The Language of Aphrodite," photographed by Ola Rindal for Dossier Journal S/S 2012

mariacarlabosscono:

"The Language of Aphrodite," photographed by Ola Rindal for Dossier Journal S/S 2012


lotuslopez:

"not everyone has to be included all the time" says the person who is always included


sohokusspider:

Fun Game: Pick an anime you’ve never seen before and watch the very last episode with no context whatsoever. Try to figure out what’s going on.


posted 2 hours ago with 14,673 notes via meixxyasuutomo)
alt-j:

I call this lunch “I can eat enough broccoli for a family of 5”

alt-j:

I call this lunch “I can eat enough broccoli for a family of 5”


posted 2 hours ago with 122 notes via alt-j

freshfoam:

Art Work by Jama Jurabaev


trungles:

the-goddamazon:

feuerbaech:

koreaunderground:

globalpoetics:

The Violent Xenophobic Racism in Ireland

At 9pm last Tuesday, 44-year-old Chinese doctor, Wu Youzhong, went to investigate the sound of breaking glass outside his home in Coleraine, County Londonderry, in Ireland. When he arrived at his front door, he saw that the window had been smashed. An intruder then attacked him so violently that he had to be admitted to hospital for several days, and required consultation from an eye specialist. Dr Wu’s wife, Luo Ruoyin, said, “I heard he was just screaming in pain and I was scared. He was just holding his head and covering his eyes and blood was just running down everywhere.” The police are treating the attack as racially motivated; the couple, who have a two-year-old daughter, are reported to be intending to move away from the area.

The Chinese community in Ireland has long been a target of racial discrimination. Anna Lo, an Alliance Party politician born in Hong Kong who was elected to the Ireland Assembly in 2007, was the first politician from an ethnic minority at national level in Ireland, as well as the first East Asian to be elected anywhere in Britain. Her campaign was dogged by violent racism – including death threats – to the extent that she had to carry a panic alarm as a precaution. One far-Right website published pornographic images of Chinese women, alongside derogatory references to Anna Lo. “People from ethnic minorities are very frightened,” she said. “I have never seen ethnic minorities so fearful in Ireland.”

Read More: http://blogs.telegraph.co.uk/news/jakewallissimons/100181659/sectarian-hatred-is-being-overtaken-by-xenophobic-racism-in-northern-ireland/

the crumbling myth of white supremacy. white supremacy is violent. white supremacy is destructive. white supremacy is pervasive. white supremacy kills.

never read the fucking comments

For all the Irish folks always crying about how Irish people were  ~*~*~ALSO OPPRESSED~*~*~

But seriously, please don’t read the comments, holy buckets.